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The Joker, by Brian Azzarello Lee Bermejo
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From Publishers Weekly
Building on Heath Ledgers performance in The Dark Knight (although long before the movies debut), Azzarello creates a memorably cringe-worthy story. Rather than a natty Clown Prince of Crime, this Joker looks like a glam rocker gone to toxic seed. Newly released from Arkham Asylum, he begins disorganizing the criminal establishment of Gotham City. Although he claims to want power and money when he confronts Two Face and his peers, he really seems just to enjoy playing with people—shooting them, setting them on fire or skinning them alive. Accompanying him is Jonny Frost, a young thug who takes a long time to recognize the drawbacks of seeing a vicious sociopath as a role model. Like Jonny, however, readers may find that, horrifying as the Joker is, they cant take their eyes off him. Even Batman, when he inevitably enters the action, functions largely as the Jokers partner in a dance of death. Azzarello has learned how to create a menacing, morally ambivalent atmosphere in his years of scripting 100 Bullets, and Bermejos jagged, shadow-saturated art sustains the mood. The result is fascinating but extremely dark. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
Batman’s preeminent foe comes to the fore, and the Caped Crusader makes only a fleeting appearance at the end in this graphic novel scripted by hard-boiled crime-comics author Azzarello that sees the Crime Clown, newly released from Arkham Asylum, attempting to take Gotham City back from the underworld figures who have carved it up in his absence. The story is told from the perspective of a small-time hood who stumbles into being the Joker’s henchman. Azzarello’s Joker hews closely to Heath Ledger’s portrayal in the film The Dark Knight. He’s a genuine psychopath, whose unpredictability is his strongest weapon. Chillingly cruel and criminally insane, he still isn’t so outré that he couldn’t conceivably exist in a non-comic-book world. Two-Face, the Penguin, and the Riddler are here, too, similarly muted compared to their usual comic-book personae and active in the most squalid version of Gotham City ever put on paper or celluloid, a sleazy milieu that Lee Bermejo’s deliberately ugly artwork, aided by a muddily muted color scheme, well realizes. --Gordon Flagg
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Product details
Hardcover: 128 pages
Publisher: DC Comics (November 4, 2008)
Language: English
ISBN-10: 9781401215811
ISBN-13: 978-1401215811
ASIN: 1401215815
Product Dimensions:
6.9 x 0.5 x 10.4 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
396 customer reviews
Amazon Best Sellers Rank:
#39,366 in Books (See Top 100 in Books)
One thing that has always been a source of pride for comic book and graphic novel readers has been watching a film or animated series and knowing the origin from a certain story arc or novel. In this case the tables have been turned. 'The Joker', released in 2008 the same year as The Dark Knight, is a novel that uses the Joker incarnation from the film. This is something as a comic reader that disturbs me.These characters are just that, they are characters created many, many decades ago and by artists (filmmakers included) may be interpreted any which way they seem fit. However I would NEVER use a character from a film in a comic book, that is backwards to me, seeing as how the film in one way was trying to imitate a comic book character. Having said all that, the story is fine the dialog is pretty good, very grim and the art is odd and eccentric (which is perfect for the book).
This is a book I've wanted for awhile now, because I'll see parts of it floating around on facebook or twitter or tumblr, but then I'll forget all about it prety quickly. I really do like the art style, because it's so gritty and has a heavy grunge feeling to it. This take on the Joker is somehow darker than most takes (who knew that was possible) and seeing more about Johnny is always great. Seeing Harley as more of a hitman at the Joker's side was interesting, but honestly I would have liked her doing or saying more than she did in this book. The version of her here looked different and like she could of been quite intriguing.
That we could know the Joker? We are Jonny Frosts ... no matter how many graphic novels we read or observe the "plots" involving the Joker; " we know nothing, Jon Snow", absolutely nothing...The Bat confronts and mocks, and it gets under the ghoulish skin of Joker... no kill, no grovel, no death as release. I loved Heath Ledger's portrayal of Joker but it was exceedingly dark... recommend but no, not for the kiddies... brilliant art. The Joker lives as our worst nightmare of a criminal.... no pattern, no predictions, just terrifying...
I love this book because everything comes together so well. Brian Azzarello is a master storyteller, and he dialogue works on many levels with the action and the plot coming together. Lee Bermejo is an excellent artist, and he makes the grimy streets of Gotham and the world of the Joker really come alive.This is not the first time this dynamic duo has come together, and every time they do it’s an amazing collaboration. This is one of those comics you can read several times over and will notice something new every time, with it’s incredible yet subtle attention to details. The dialogue and images come together to create a compelling meditation on crime’s appeal to our culture, and however the end the payoff is rarely what we envisioned it to be.
Brian Azzarello wrote this book and I liked story as well as the art, it keeps you reading and want to see what is going to happen, now, on the other hand, this could be or not the book for you, and this is because the Joker is not so the Prince Clown of Crime, it is more dark Knight Joker (Gangster). So in my own opinion I can mention the following likes and dislikes:Likes:• The art on the Book (Bermejo) is really good. Forms, bodies and shapes are well detailed.• The story involved many Batman villains• It is complete book about the JokerDislikes:• Joker is draw as Hugh Ledger’s Joker• Joker is not as criminal as other tales.• Killer Croc is not the real Killer Croc
The Joker is an exceedingly difficult character to write and success has been rarely achieved. In order to capture the essence of The Joker a writer needs to descend into the far reaches of dark humor. The problem is that The Joker's psychology is meant to be so separated from accepted thinking that a normal, well adjusted writer finds it near impossible to arrive at that dark place and most of his `jokes' fall flat. It reminds me of why writers invariably fail to capture evil geniuses, because you have to be a genius to create believable dialogue like a genius. Another problem is that the comic Joker has developed such a cartoonish appearance with the elongated chin and purple pimp clothes that it's difficult to take him serious even when he's killing scores of people. It's like Jason and Michael Meyers. No one is scared of them because they're just cartoons. The more divorced from reality the less scary.The movie The Dark Knight reinvented the Joker with a considerably toned down visual appearance and darker attitude. The Dark Knight had more than a few flaws, particularly in the scripting, but it positively nails The Joker who stole the show and helped the movie become the second highest grossing film of all time. Brian Azzarello's, Joker, is pulled from the movie with a grungy appearance, disgusting greasepaint, carved out grin and anarchist mentality. There are no more squirting flowers or electrocuting joy buzzers. Azzarello's Joker is also legitimately terrifying, like a rabid dog with a genius IQ. What can you do to The Joker, maim him? This one is already a mess. Could you threaten to kill him? The Joker is fully prepared to die.The story is told from the view of a low level henchman named Jonny Frost who travels with The Jokers following his release from prison. This is not the canonized world of DC comics it's more of an elsewhere story existing somewhere between the regular comic and the world of the Dark Knight. My understanding is that Two Face did not survive the movie but he does appear in this story so already it clearly isn't a direct sequel. The other Batman villains including Killer Croc, The Penguin and The Riddler are written and drawn to be much more realistic in line with what you might expect in the movies.Speaking as a huge fan of Alan Moore I have to say that this is a better interpretation of The Joker than the legendary `Killing Joke'. The Batman only makes an appearance in the last few pages and the encounter is perfect. It is clear throughout the book that The Joker rules the criminal roost even among the rogues gallery. He is smarter and more ruthless than anyone else but here in the last few moments The Joker finally meets his match and The Batman drops a line so perfect I wouldn't dare to reveal it here. In the end Jonny Frost learns that this is The Joker and The Batman's world, he was only living in it.
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